The idea was to do a quick-and-easy essay for this month as I work on my upcoming foray into the stamps of British southern, eastern and central Africa. My idea was to offer “out-takes” as a follow-up to last month’s essay, “Stamps on My Wall.” That is, I would present the several framed stamps and sheets that have resided for the past couple of years in a box in my basement, because there simply isn’t enough room on my walls for all of them.
Imagine my consternation when I descended to the basement the other day and delved into the box holding the frames, only to discover that they had suffered from water damage.

Pictured above is some of the detritus from my efforts to salvage the ruined stamps from their frames. Notice some stamps are still stuck to a frame. Below is the box that held the frames, now flattened with other water-damaged boxes and ready to recycle.
Water! The bane of every mint stamp collector’s existence. Water is the arch-enemy of philately (except when it is used to soak off used stamps that date back to the days before pre-moistened stamps of today, which are difficult if not impossible to remove from their paper backing). Short of cutting, creasing, spindling or otherwise mutilating,
nothing can ruin the value of a mint stamp quicker than a drop of water.
Living in high-humidity regions can be dangerous for mint stamps in a collection. A sticky climate can induce mint stamps to stick, forming a bond that usually cannot be remedied. Imagine the stamp collections ruined by hurricanes and flooding. It’s enough to send chills up the spine of my stamp album. I come unhinged at the thought.
In my case, the culprit was not meteorological, but rather a burst hot-water heater in my house that left several inches of water in the basement. Like a real knucklehead, I had neglected to store the box with my framed stamps above floor level. Even worse: I thought I had it safely stored, so I took my time checking it. The cardboard absorbed water, some of of the moisture seeped through to contaminate the frames and the stamps inside. Eek!
As it happened, I was out of town when the water heater broke, so it was left to wife Chris to manage the emergency response. Restoration workers did a fine job of pumping the water out of the basement, installing a new sump pump and saving what they could. A new hot-water heater was installed and we were back in business. By the time I got home, there was little more to be done than a final reckoning and mopping up. When I finally got around to examining the box with the stamp frames in it, there seemed no way to undo the damage.
Just about my only consolation in this minor disaster was my decision to use the mishap as the basis for this month’s essay!

Here is the pile of damaged stamps I reclaimed from the waterlogged box of framed sets and sheets. Peeking out at the lower left is part of a complete sheet of gray, 1-pfennig stamps from the early days of the German Federal Republic. There also are three U.S. sets — a series of four bicentennial sheets from 1976, portraits of the (dead) presidents as of 1986, and a 20-stamp set from 2000 featuring different iterations of the American flag. At top left you will see one more sheet — the 1-cent kestrel from the lengthy, multi-year U.S. flora and fauna set (1990-2001).
My salvage operation began with an inventory. Nearly every stamp in the box had been affected. Some of the eight frames were still damp as I dismantled them — which occasionally proved beneficial, as the stamps and sheets were still movable. But any hope of retrieving mint stamps with gum intact was gone. Some stamps stuck to the glass and began to tear as I tried to free them. Others had dried to their paper backing, though it turned out more than a few stamps yielded to patient probing and came unstuck — without intact gum, to be sure.
Since I no longer have an intact set of the bicentennial souvenir sheets, I must borrow an image of them, for your reference, from the current Mystic Stamp Co. catalog (see below).

The handsome paintings depict four scenes from the revolutionary era — the signing of the Declaration of Independence, Washington reviewing his troops in winter at Valley Forge, Washington crossing the Delaware, and the surrender at Yorktown. The series was issued May 29, 1976. In July, the international philatelic exposition Interphil was held in Philadelphia, where I was living at the time. My friend George was visiting, and we spent hours on a stamp jag. Needless to say, it was an exciting time for this philatelist. Don’t ask me why, but the U.S. Postal Service had decided in
its wisdom to issue a four-stamp set July 4, displaying a wider view of the same painting that appeared on one of the souvenir sheets — signing of the Declaration — with the inscription, “July 4, 1776.” (see right). I took advantage of the situation by affixing that set, along with the souvenir sheet containing a detail of the same design, to an oversize envelope bearing a “cachet” (engraved design), and stood in line for the coveted first-day cancellation, creating the unusual cover you see below.
I know I have strayed from my account of the Stamp Calamity, but I just wanted you to know I didn’t ruin all of my bicentennial sheet paraphernalia. Accordingly, I include two more bits of data on that subject, just for fun. First, here’s an odd cover
I concocted back in May 1976, when the Bicentennial souvenir sheets were issued (see right). First I broke up one of the “Yorktown” sheets, and must have used three of the five embedded stamps for postage on letters. The other two stamps, still intact with the sheet remnant, I stuck to a commemorative envelope, put my address on it and had it sent to me across town through the mail, complete with the first-day cancel. Any idea what a partial first-day cover is worth?
Finally, I have one more related cover to show you. It’s the bicentennial sheet with the well-known painting by Emanuel Leutze of Washington crossing the Delaware River Dec. 25, 1776, to defeat the British-allied Hessian troops at Trenton and turn the tide of the Revolutionary War. Using an envelope with a special cachet, I attached the sheet to the cover. On Christmas Day 1976, I drove the 40 miles north to the tiny village of Washington Crossing, near New Hope, Pa. There I had the sheet specially cancelled at a local postal station set up for the occasion to mark the precise bicentennial of Washington’s Crossing at that spot. Lots of historical resonance in the resulting cover, which you see below. It’s unusual, to be sure, and worth … not much, probably. (sjgh)

OK, back to my Stamp Calamity. Here I am, left with the detritus of what were once handsome frames of philatelic interest. However, “detritus” may not be the right word. True, the mint stamps I was able to recover were no longer of much value — as mint stamps. Any added value over the ensuing decades since their release was gone as well. However, the stamps all held their “face value” — that is, an 18-cent stamp was still worth 18 cents, when used for mailing purposes. I could use a glue stick to “gum” the backs and stick them on an envelope. Three 18-centers and a 1-center would make today’s first-class postage rate of 55 cents.



Now consider: I have recovered each of the five stamps on the bicentennial sheets (pictured above). Removed from their surroundings in the damaged sheets, they take on a whole different aspect. If you examine them one by one, you may conclude, as I do, that some of them work better than others (Row 1, second from the right, fit pretty bad; also Row 3, far left and far right; or any in Row 2). I imagine the painter Emanuel Leutze might take exception to having his classical portrayal of Washington crossing the Delaware dismantled into an awkward series of five stamps (see Row 4).
Here’s my idea: Use each of these stamps, in some combination, on letters I send to loved ones in coming days. As I frequently do when sending my indulgent loved ones unusual stamps as postage, I will note “please save” on the envelope, with an arrow pointing to the stamps. With any luck, I eventually will be able to accumulate a collection of these odd stamps in used condition. And they are odd. Let’s face it: Those bicentennial sheets were meant to be collected, not used for postage. Cancelled examples of the individual stamps probably are not very common. Indeed, if you check the current price of the sheets in the Mystic catalogue, you will notice the price for used examples is the same as for mint ones.
Just a couple more items. You will recall I recovered a sheet of 1-pfennig German stamps that sustained a little damage. I kept it and stowed it away, not knowing quite what to do with it (I bought the 100-stamp sheet at the post office in Heidelberg, Germany in 1962 for 100 pfennigs — 1 mark, then worth a quarter). Today the stamp is hardly worth anything, so it’s no great loss, I guess. Below is another sheet of 1-pfennig stamps I bought at the same time, this one featuring the Brandenburg Gate. It’s also not worth much, and I don’t know its exact condition because I left it in the frame. One dispiriting hint is the appearance of puckering along the right side of the sheet. (see below)

The last two frames I offer for your inspection, at right, represent a considerable labor of love on my part. I patiently accumulated cancelled copies of each one of the 50 values in the 20-cent state-birds-and-flowers series of 1982. (Back then I was a newspaperman and had access to tons of mail.) Then I mounted the set, in alphabetical order of the states, on two grids and framed them. Cute, eh? At first the frames didn’t appear to have suffered damage, but when I started to lift the glass out of one frame, some of the stamps stuck and
started to come apart. I stopped immediately, returned the glass to the frame and let it be. What to do now? Since these are used stamps, I suppose I could soak them off in water (!) and even assemble another two-frame display
On the other hand, I just might take these two frames, and the frame with the Brandenburg Gate 1-pfennig sheet, maybe even that other 1-pfennig sheet I stowed away, and … put them on all my wall!

Ta-da!



In conclusion, let’s not call this a major calamity after all. The face value of all the damaged stamps came to less than 20 bucks. None of them have grown appreciably in value. The stamps are still valid for postage, and I was able to recover most of them in usable condition.
Still, it’s a humbling experience, and an embarrassing one for a guy who considers himself such a big-deal collector that he presumes to carry on a blog called the “FMF Stamp Project.”
TO BE CONTINUED

My first memorable encounter with philately came when I was about six, in 1954, at The Pigeon House, a drafty converted coop-barn that my family stayed in for several summers near the south shore in Marshfield, Mass. It was part of the “farm” on Pudding Hill Lane that
The image at right is from the line-up of framed stamp sheets from Congo on the wall of my study (see above). The stamps originally were issued for the Belgian Congo, overprinted at independence — then overprinted again in subsequent years. This stamp started out as the 1f50 value from the flowers series of 1953, which was overprinted “CONGO” and became the first definitive set of independent Congo in 1960. In 1964 it was surcharged in black on silver, as Congo lurched toward ruin in the hands of Mobutu Sese Seko.
In this pair of images and the next pair you will find two examples of what was once the 20 centime stamp from the Belgian Congo 1959 animal series, overprinted “Congo” in the second definitive set after independence in 1960. Here the original 1959 stamp carries a silver overlay
This
OK, let’s really get into it. If you like, run quickly through this pair of images and the next two pairs., then come back…. On first glance, all the stamps look alike, right? Well, they started out being the same — the 6f50




Above my desk you will find a Stamp Map (above) — the world laid out before me, with stamps from many nations attached to their country of origin. Seems like it’s always been there on the wall … a bit like that bathroom at The Pigeon House, eh? 


This series (above and rifght) confirms the wisdom of my decision to frame and display my stamps. There’s just no other good way to handle these stamps! It’s from just a few years ago, an issue with 60 values, one for each state and a number of “generic” USA stamps.
Here is another enchanting exhibit. A few years ago, the USPS issued a series of low-value definitive stamps featuring vintage designs — jewelry and household furnishings. The charming, full-color vignettes had colorful backgrounds and common design features for each value — 1c, 2c, 3c, 4c, 5c and 10c.
These beautiful landscape paintings appeared in a series of 12 sheets under the heading, “Nature of America.” The sheets were designed and executed so that you could identify easily the essential information — “USA 33” — to locate the stamps within the sheet. You’d just peel off stamps as you needed them. If you look closely, each stamp has a design that stands on its own. Clever. Sort of like a loopy version of an advent calendar. Or a sticker book in reverse.
At left are enlarged versions of a couple of the sheets, one featuring a Pacific Coral Reef, the other the Sonoran Desert. All the sheets are worth a look, and they are not expensive — about 60 bucks for all 12. Other scenes depict the
Pacific Rain Forest, the Great Plains Prairie, Southern Florida Wetland, Northeast Deciduous Forest, Alpine Tundra, Great Lakes Dunes, Kelp Forest, Hawaiian Rain Forest, Longleaf Pine Forest and Arctic Tundra.
These final “stamps” on display aren’t really stamps at all, but rather my own fanciful designs for imaginary sets from exotic lands, concocted during my teenage years when I actually lived in exotic lands like Congo and Germany (but not Ghana or Australia).




Finally, here is my display (right and below) of the “state quarters” that started appearing over the past decade. I had no idea, when daughter Tanika and I crafted this display, that the US Mint would keep issuing quarters for all sorts of monuments and moments. I have more than a dozen waiting to be added to my collection — but how will I fit them in? And will the practice of churning out new quarters never end?
If you have paid close attention to my stamp blog, you know I have a nice copy of Great Britain No. 1 — the world’s first postage stamp, also known as the Penny Black. (see right)
Take, for example, this early two-color British India stamp of 1854, featuring an imperforate octagonal frame with a portrait of Queen Victoria (right, from the Internet). A nice copy like this pretty stamp (grabbed from the Internet) will sell for up to $450.
Here is an example, from the Internet, of the 4-anna stamp, cut to shape. It’s not cheap, but much below the cost of a rectangle. Get my point?
For starters, take a look at this beauty (right). It’s the famous British Guiana one-cent black-on-magenta, a fabled one-of-a-kind variety. And as you’ll notice, it’s cut to shape. That doesn’t prevent it being sold and re-sold, every now and then, for millions.
More common are examples like these, also from the Internet. Notice the relatively low price for these ancient embossed beauties. They’d be worth a lot
more if they were not cut to shape.
Whatever value the medallion-shaped oddment here had was decimated by the lame-brained stamp fiend who cut it to shape. (Was it a younger me?)
This is a cute enough collection, and they’re all nice rectangles. Not worth much, though.
As I segue back to my quest for those early GB embossed stamps, I offer this: the world’s first “envelope stamp.” It’s from 1840 in Great Britain, and it’s known as the Mulready Cover — a one-penny foldable sheet you could write on, seal up and send through the mail. The idea never caught on. (This nice example is from my collection; I expect it’s worth at least the
$40 I paid for it.)
some kind of holographic horror representing the space program or something like that.




It was growing clear to me that if I ever wanted to fill those empty spaces in my album, I would have to settle for cut-to-shape. But I didn’t just want a “space-filler,” a crudely mangled example that is essentially worthless. Over the years, the Scott catalogue has upgraded its price for Nos. 5-7, cut to
shape, from $1.50 to $10 or so. I searched the Internet and began finding cut-to-shape offerings that were well within my price range. There were flaws, though.
Finally I came across this cute little item: No. 5, carefully cut to shape, including nearly the entire design; no thins, tears or creases; offered for sale at $14.99.



In 2013, the US Postal Service issued a souvenir sheet depicting the inverted Jenny — the same engraving and colors as the accidental error back in 1918, as far as I can tell, only with a $2 value instead of 24 cents. It’s a beautiful, interesting sheet, full of information on the back. The stamps showing the famous upside-down plane are worth at least, well, two dollars each.

It bears the 24-cent “Jenny” airmail stamp, issued just three weeks before on May 13, 1918, cancelled with the message in the circular cancel: “Air Mail Service; New York; Jun 3, 1918; First Trip.” The return address is the “Aerial League of America,” 297 Madison Avenue. A rubber stamp in the lower left corner of the envelope announces: “VIA Aeroplane Mail.” Quaint! While the envelope isn’t in particularly good shape, a similar “first flight” cover was offered on eBay recently — for $250!
Do you think it was magnanimous of the British to grant “internal self government” to its Bechuanaland territory in 1965
Then an odd little set came out June 1, 1966, commemorating the Bechuanaland Pioneers and Gunners. These were African “recruits” in World War II, as many as 10,000 Tswana in all. Some volunteered, others were pressed into service as laborers, anti-aircraft gunners and drivers. African troops traveled as far as Italy and Lebanon. This set marked the 25th anniversary of the Bechuanaland pioneers, formed in 1941 and disbanded in 1946. The designs include a British Hasler smoke generator truck with Bechuana operators, and a
Three months later, a new nation was born — philatelically speaking. The first set from independent Botswana was issued Sept. 30, 1966, and was clearly a rush job: Instead of designing new stamps for the new country, postal authorities simply overprinted the 1962 definitive set with “Republic of Botswana.” OK, so it looks kind of weird to have Queen Elizabeth smiling out from under the overprint. But hey, the stamps are valid enough. Lots of emancipated colonies did the same thing, starting with Ghana, which overprinted the Gold Coast set of Queen Elizabeth definitives in 1956.
Above is the first definitive set designed specifically for Botswana. An earlier
At right is a display in my stock album of stamps from several
intent— when they come my way, I take them. I still enjoy putting sets together, noticing common features as well as the obvious and subtle differences. Somehow, it just makes life sweeter.
I must pass along a blow-up of this unusual Botswana commemorative from 1975. It celebrates the 90th anniversary of the
Above is what we in the philately racket call a “hodge-podge.” It’s a catch-all page in my stock album for post-colonial Africa, my last page for Botswana. You will see some attractive animal stamps, and a crudely-drawn portrait of two nearly naked
The set at lower left above (enlarged at right) commemorates a century of Bechuanaland stamps, carrying us back to where we began. You can read much more about this set — and the stories the stamps tell — in my blog post of April 2018, Bechuanaland: Introduction. That is where my exploration of Bechuanaland/Botswana and its stamps began.
At last! A consummation devoutly to be wished. Or should I say, a resumption long overdue. I think it was about 500 pages and two years back that I temporarily abandoned my original mission in this FMF Stamp Project — which was a leisurely ramble through the storied landscape of my stamp collection, starting with British Africa. I got through my collection from the British Colony of Ascension Island, and also the small southern African territory of Basutoland (now Lesotho). Then I went my merry way, with long diversions to Congo, other precincts of that vast continent, and into various fjords and flights that led eventually to a 150-page examination of so-called “Cinderella” stamps (that is, stamps that are not real stamps). That topic, by the way, is far from exhausted, though I needed a breather!
A word on the legend provided in my stamp album (see right). You may notice that it refers to British Bechuanaland as a “high commission territory” in 1960. This is nonsense. Bechuanaland Protectorate was indeed under British supervision in 1960 — independent Botswana was still six years off. But British Bechuanaland? It didn’t even exist after 1895, first merging with the Cape Colony, then the Union of South Africa.
I believe I have rhapsodized
Bechuanaland, page two: Issues of 1888-98. Just a few comments on this page. There is always something to say!
Notice at right how the earlier set has been surcharged — with the same value spelled out in the tablets flanking the portrait! I guess too many postal customers needed to see a number …
At right, top row, is a remarkable sequence that captures all the wackiness of British Bechuanaland bureaucracy. Here we have the overprints running across top and bottom, sideways left, and sideways right. Whew! Make up your minds! (As you can see, from the pencil notations, I paid good bucks for these — $13 for the 1/2d, for example.
changed from “British Bechuanaland” to “Bechuanaland Protectorate.” It took me years to collect all of these…
Bechuanaland, page four: Issues of 1904-27. By now “British Bechuanaland” was just a memory — but “Bechuanaland Protectorate” would last 80 years. For
nearly three decades, postal authorities made do with these undistinguished overprints of British definitives — through the reign of Edward VII and well into that of George V. What a missed opportunity!
Bechuanaland, page five: Issues of 1926-35. You
Sorry I don’t have the higher values (yet). They are quite dear.
However, please enjoy the delicate artistry of the engraving of a pastoral Tswana landscape that features grazing cattle and a venerable baobab tree.
Bechuanaland, page six: 1937-45. The king is dead. Long live the king. That’s the way it was in the British Empire. George V expired Jan. 20, 1936, and after the business with Edward VIII, George VI was duly coronated in 1937. Without missing a beat, the engravers substituted a portrait of the young king for that of his late father, and the same beautiful design remained in use through the 15 years of his reign. Notice the exquisite color combinations for the upper values — black and olive green (1/-); black
and carmine (2/6); black and ultramarine (5/-); black and red-brown (10/-). This complete set, mint, was selling today online for $42.50.
This set again! You may remember it from the Basutoland pages — same South Africa set, same patriotic themes, same white faces enjoying the end of World War II.
Bechuanaland, page seven: Issues of 1947-9. No need to dwell on this page, which features “omnibus” issues for the Royals’ 25th wedding anniversary (which I don’t have), the Royal Visit of 1947, and the Universal Postal Union issue of 1949. Why do I bother to collect these stamps, which aren’t valuable? I guess I just like to keep striving for completeness …
Bechuanaland, page eight: Issues of 1953-60. Guess what happened after 1953, when Elizabeth II was coronated? The same darn thing: The engravers substituted her portrait for her father’s and before that, her grandfather’s, and the splendid design had another run — right up into the 1960s.
Here’s a little oddity (above). In 1960, British imperial powers took it upon themselves to issue this set of stamps congratulating the 75 years of their “protection racket” in Bechuanaland. They must have known by then that their time as colonial masters was rapidly drawing to a close — Ghana already was independent, Sierra Leone and the rest would follow quickly. Yet here we see the Dowager Queen Victoria of 1885, and the demure, fresh-faced Elizabeth of 1960, flanking a scene on the Tswana veld — as though everything were normal as could be, the past and present are of a piece, and the British “protectorate” is secure.
Bechuanaland, page nine: Issues of 1961. Then bang! came decimal currency, a gift from South Africa. Postal authorities rushed to issue a set with decimal surcharges. When the news reached me, I was excited. These might be rare stamps. I quickly sent off a money order to Lusaka, asking the postmaster to send me a set. Then I sat back and waited … and waited …
Bechuanaland, page 10, issues of 1962.
Bechuanaland, page 11, issues of 1961-3. More postage due and “omnibus” stamps appear on my last album page for Bechuanaland — though it is not the end of my collection. (Stay tuned for next month’s installment.)




my collection from Natal and St. Helena. You can tell it’s a remainder by the oddly angular postal strike. The catalog value of the St. Helena stamps, in used condition, is in the $100 range. Yet I was able to buy them for under $20. Notice that I added the pencil note “remainders” as a reminder. Last words on the subject: Here is an odd remark from
the Scott catalogue:

Good to Be True” blog post,
The closer I looked, the more it appeared to be not a thin, but actually a confetti-like piece of off-white paper, a remnant somehow stuck to the surface of the stamp. i began to pick gingerly at the spot, using my stamp tongs and a magnifying class to keep track of my efforts. Sure enough, the tongs seemed to catch an edge of the
This installment of the stamp blog may be a little too esoteric for the general reader —
OK. Let’s take a look inside the envelope to see if any of the stamps inside survived this “mishap.”
— waterlogged. The tattered remnants yielded a folded note — the receipt for my order from Du Wei in Shanghai, China — and a stout cardboard packing envelope, securely fastened with tape. A good sign! However, water worries continued. If the stamps had been soaked and ruined, I would be left with nothing from my $30.60 order.
Another good sign!






was due to end in just 15 minutes. To my surprise and puzzlement, there were no other bids. Has this one escaped others’ notice? I would have to think fast. OK, $79 is not a king’s ransom — and look at the prize! The image was a little slanted and out of focus, but I could see no major faults, There was also an image of the back of the stamp, which looked clean. All the perforations seemed in good order. Did the seller not know what he/she was doing? The cancellation did nearly black out the faint lettering of the word “FIVE” — but then again, the clearer letters below spelling “POUNDS” announced a plural denomination, and the set only has a L1 and a L5. This looks like is a great opportunity — a once-in-a-lifetime chance. Better take it. …
I now discovered, with a sinking feeling, the seller’s hometown: Bryansk, Russian Federation. (How often had I been warned against doing philatelic business with the Russians!) Bryansk (I looked it up) is a city of some 415,000 souls located 235 miles southwest of Moscow. I’m sure there are many fine people living there. Probably some gangsters and brigands, hustlers and hackers, too. I just hoped “brikol2” was one of the fine people — one who didn’t know, or care to know, the true value of this item — in which case, I suppose, I would be taking advantage of him/her. Which kind of puts me in the wrong, I guess. Hmmm. Another alternative: The stamp was stolen by a Russian gangster and is now being tossed into the international market place as a piece of hot philately.
for being so suspicious. Just because the seller is a Russian, you jump to all these lugubrious conclusions. How narrow-minded. How provincial. In the morning, you’ll see. Everything will work out. You’ll pay, the stamp will arrive in good time, and it will become a centerpiece of your collection, a remarkable gem amid your estimable Bechuanaland holdings, and a dazzling conversation starter for many a year. Of course, there will always be something of a cloud over the transaction, involving questionable provenance and lack of authentication … Oh well, (yawn) …
The Heroes Acre is a landscaped monument and cemetery covering 57 acres just outside Harare, capital city of Zimbabwe. Built as a gift from North Korea to President Robert Mugabe in 1981, it is modeled after a similar memorial near
rifles’ magazines. At the center of the cemetery is the Statue of the Unknown Soldier, with three fierce soldiers, including a woman, who look like a cross between Zimbabweans and North Koreans, and who are armed to the teeth with rifles and a grenade launcher.
At first I didn’t connect the stamp
A medical doctor and founding member of ZANU, Herbert R. Ushewokunze (1933-1995) served in Mugabe’s first cabinet and was a strong supporter of the president, echoing and even overtaking his fellow nationalist in his radicalism, which he laced with rhetorical flourishes and references to Shakespeare. As health minister, he led the campaign to end race-based segregation in health facilities. He accused white doctors and nurses of racism, and pressed for traditional African forms of treatment. Within a year he fell out with Mugabe. He accused the Public Service Commission, which Mugabe used to control the civil service, of still favoring whites, which offended the president. Even worse, he called for an end to nepotism in the commission, which Mugabe was using to reward his loyal followers. So Ushewokunze was sacked without explanation, and spent his final years out of power. Today, Zimbabwe’s health system barely has a pulse. Perhaps Ushewokunze could have done better than his successors; he surely could have done no worse.
Now here is a model hero I’d like to admire. Leopold Takawira (1916-1970) did so well in primary schools in Southern Rhodesia that he went on to become
By contrast, Nathan Makwirakuwa Shamuyarira (1928-2014) is an exemplar of the kind of rascal Mugabe kept in his inner circle. By the 1950s Shamuyarira had completed his education (with studies at Princeton) and become active in liberation politics, calling for black African self-governance. He showed lots of promise. He was a leader before independence in groups including the Capricorn Society, the group that in the 1950s envisioned an interracial partnership for Zimbabwe. After independence, he joined Mugabe’s cabinet and served
Herbert Wiltshire Tfumaindini Chitepo
Grace Mugabe deserves at least a paragraph or two in this mostly uninspiring tale. Not because she is, or was, a Zimbabwe heroine. I don’t think she has been memorialized on a stamp, and she’s not ready for Heroes Acre. Rather she should be known for her audacity, her mendacity, her tenacity and her larceny. Robert Mugabe plucked her from his secretarial pool well before his wife Sally got sick and died. Grace was
Grace Mugabe picked the wrong rival, however, when she took on vice president Emmerson Mnangagwa. I have no idea how he did it, but Mnangagwa managed to outmaneuver the First Lady, and recently was sworn in as Zimbabwe’s second president since 1980. Subsequent reports placed Grace and Robert Mugabe in Singapore. They reportedly have as much as $1 billion in loot stashed in Switzerland and elsewhere.
One more story: Like many other of his compatriots, Nolan Chipo Makombe (1933-1998) found his way out of his rural region of Masvingo through mission schools. He studied radio and TV technology in South Africa, then taught school, ran a radio shop, and worked for the colonial government as a radio mechanic. He grew active in nationalist politics, and was detained by the colonial rulers in Salisbury for extended periods. After independence he was elected to parliament, representing Masvingo province. He remained a leader in the legislature, eventually serving as speaker of the house. He died of a heart attack in 1998, and was buried in Heroes Acre.
Before I end this sorry history and dismal speculation, let me sound a clarion call from the past. It involves a white, English-born patrician named Arthur Guy Clutton-Brock. His story provides a poignant coda