
Here is the coat of arms of ZAR (Zuid Afrikaansche Republiek) that was painted on the side of ZAR President Paul Kruger’s wagon. Since the coat of arms is the only design on ZAR stamps, it’s useful to have a clear depiction for easy reference. Note inside the shied the lion at left, an armed Boer to the right, and a voortrekker’s wagon underneath. In the middle is the anchor symbol of the Cape of Good Hope, part of a shared British/Boer heritage. The motto, “Eendragt Maakt Magt,” translates as “Oneness Makes Might.”
Into the tall grass of philatelic esoterica! This is where stamp-collecting gets interesting — to stamp collectors. This short essay is for general readers, though. By embarking on this brief expedition into the high veld of ZAR/Transvaal philately, you can glimpse varieties of design and printing, amid other oddities that delight the collector, invite speculation and excite the imagination! Imagine, being excited by printing varieties. That’s part of stamp-collecting. Well, this won’t take long, and I believe you, General Reader, will have a bit of fun coming along on this quick tour, presented as several addenda.
The Pietersburg issues of March-April 1901 are fairly expensive, but very exotic. Consider: they were on sale for only a few weeks, during the desperate last days of the Boers’ ZAR (Zuid Afrikaansche Republiek). ZAR President Paul Kruger had
already left the country. The provisional government in Pietersburg was running low on stamps — a truly dire circumstance! — so the authorities came up with this crude, type-set design. There are three design varieties. I have multiple examples of each type, all with the same value of 4 pence. Each stamp is hand-signed/cancelled, and catalogs at between $25 and $40. I recall I paid about $40 for the lot. Quite a deal, eh? Below are enlargements clearly illustrating the differences. (Remember, we are in the tall grass, so stay close.)

VARIETY ONE (left): The date is large. The “P” in Postzegel is large.

TWO (left): The date is smaller. The “P” is still large.

THREE (right): The date is small. So is the “P.”
Can you spot the differences? Isn’t this fun? (For more about the Pietersburg issues, see FMF Stamp Project blog post of 3/17/17.)

It pains me to have to display this page from my album without any stamps in it. It’s just that the “VR” overprints on ZAR stamps are quite rare and expensive, and because they are so dull, I am not motivated to invest in one. I probably will, though, sooner or later, just to have it on the page to make things more interesting.
B. Why were so many overprinted stamps released in 1900? The Scott catalogue lists 49 varieties with “V.R” or “VRI” overprints — or “E.R.I.” after Victoria died and Edward VII took over in 1901. Come to think of it, there were an awful of of “VR” overprints back in 1878-9, during the first British occupation — 46 varieties listed in Scott. It was efficient to use up existing stocks of stamps, I suppose. But it looks kind of sloppy.
The early overprints of 1900 were issued under military authority in Lydenburg, Rustenburg, Schweizer Reneke and Wolmeransstad. Stamps from Schweizer Reneke carry a handstamp, “Besieged” (left, below). These are very rare stamps indeed. Remember Baden-Powell and “Mafeking Besieged”? (See blog post, December 2019, for the whole story in brief, with stamps.) In his history, “The Great Boer War,” Bryon

This is a very rare, very expensive stamp, pictured here on the Internet. It’s originally a green 1/2d. stamp from Cape of Good Hope (see Hope in her dress?). Along the left side is a hand-stamp, “BESIEGED,” and the cancellation reads “Schweizer Reneke Z.A.R. 12 Sept. 00.” One wonders how mail got through the siege … was there a gentlemen’s agreement? An ad hoc postal convention?
Farwell writes: “The sieges of Kimberley, Ladysmith and Mafeking, avidly followed while they were in progress, widely celebrated when they were raised, have been given their place in history. Rarely mentioned, however, is the siege of Schweizer Reneke, a small town in the western Transvaal which was invested on 19 August 1900 and not relieved until 9 January 1901. No one remembers the name of George Chamier, the garrison’s commander. The gallant defenders of Schweizer Reneke had the misfortune to be besieged at a time when the people at home were bored with sieges; they had had enough; besides, there were no newspaper correspondents there. And the British public, which exhausted itself cheering for plucky B-P and the relief of Mafeking, raised not a single cheer for the relief of Schweizer Reneke.”
This proliferation of “VIctoria” overprints invites speculation, if not further research. Was it because the military authorities didn’t have a supply of the old Victorian Transvaal stamps on hand in the field? Perhaps by 1900, that profile from 1878 would no longer be age-appropriate for the tottering Dowager Queen. Why not just keep using local stamps? Was it necessary to declare philatelic victory so fast? It certainly seems the Brits wanted to establish their supremacy toot sweet. So they cobbled together crude overprints and gave existing ZAR stock the royal brand. Take that, you uncouth Boers!
The catalogue prices for these sets rise into the hundreds — they must have been quite limited issues. But what truly deters a casual collector like me, in addition to the daunting prices, the rather boring differences between the overprints, not to mention the dull stamps underneath, is the following:
C. The catalogue warns: “Nos. 202 to 213 have been extensively counterfeited.” … ”Beware of counterfeit.” … “Excellent counterfeits of Nos. 246 to 251 are plentiful …”
What is it with all this counterfeiting? Was there a fad for collecting these dull and wacky Transvaal stamps, all of them with the same design? Was the see-saw history of Transvaal a spectator sport in jolly old England, such that collectors competed to

Are these stamps real, or counterfeit? Is the overprint legit or not? If one is real and the other counterfeit, is it still a counterfeit? Hasn’t the overprint legitimized the stamp? Does anyone care?
show off their sets of Victorian overprints on ZAR stamps from battleground towns in the veld? This is sheer speculation, folks, but by the end of the 19th century, stamp collecting had become quite a fad, so I wouldn’t be a bit surprised if there was some titillation in GB as Transvaal and ZAR swung back and forth in their bloody joust for white supremacy.
Some sets are questionable as “reprints,” then are listed with overprints as “counterfeit.” Which makes one wonder — are we looking at a counterfeit overprint on a counterfeit stamp? Is the overprint counterfeit and the stamp genuine, or vice versa? Seems like a long shot that you’d actually get a real stamp with a real overprint.

For reference in this section, here again is a clear rendition of the Boer coat of arms, as painted on Paul Kruger’s wagon.
D. Actually, the counterfeiting started much earlier — in fact, right at the beginning of ZAR postal history in 1869. Scott catalogue editors note that “So-called reprints and trial impressions of the stamps in types A1 and A2 are counterfeit. This applies to Nos. 1 to 96.” Sometimes the only way to tell genuine from forgery is by the color shade. How discouraging!
Nevertheless, I persisted and succeeded in getting this couple of early beauties — Nos. 21 
and 31, illustrated here. The Scott catalogue helped a lot in distinguishing tell-tale signs of forgery, leaving me fairly confident that the stamps I bought are the genuine article. Allow me to accompany you a bit further into the philatelic weeds while we pick our way gingerly past the telltale signs of forgery in search of the real and the true — as best we can.
One clue is in the motto, “Eendragt Maakt Magt” — Oneness Makes Might. In the genuine stamp, the “D” in the word “EENDRAGT” is outsized, touching the ribbon. In forgeries, the “D” is the same size as the other letters inside the ribbon.

Look for the “D” in “EENDRAGT” — notice how it is outsize and touches the top line of the ribbon. This is a sign of authenticity.

A second clue: In the genuine stamp, the eagle’s eye is a dot in a white face. In forgeries, the eye is a blob and the beak is hooked.

In both No. 21 (above) and No. 31 (below), the eagle looks like it has a nice “dot” for an eye, as in the genuine stamp, and not the “blob” of the forgeries. Furthermore, the beak in both stamps is straight, not hooked — another good sign. I must say, though, the fearsome eagle looks a lot like Woodstock from “Peanuts.”
Please examine these extreme close-ups. What do you think? Are they real, or counterfeit? (I should point out that the stakes are not that high: No. 21 has a catalogue value of $17.50, while No. 31 catalogues at $40.) My claim is that I did due diligence in researching and buying these stamps online, and I think the evidence is fairly solid that these are the genuine article.

E. While we are here in the weeds, let’s examine another philatelic oddity — sets from the ZAR’s restoration after 1884. Paul Kruger’s administration put out set after boring set featuring the ZAR’s coat of arms. (Many of these stamps also were counterfeited, for reasons I find inexplicable but am not sufficiently interested or
prepared to pursue.)
This particular oddity involves sets featuring a “wagon with two shafts,” and a later set depicting a “wagon with pole.” The extreme close-up illustrations below should give you a clear idea what we’re talking about.

See the two shafts on the wagon?

Now do you see the single pole?

For reference, here is a close-up of the wagon in the coat-of-arms painted on Paul Kruger’s wagon. It’s clearly a pole, not two shafts.
Before anyone gets excited over the distinction, let me point out that both sets can be had for under $30. This is not a matter of rarities, just oddities. Why change from two shafts to a single pole? Is the pole more historically accurate? Is the pole truer to the formal depiction in the ZAR coat of arms? Most fervently, it is hoped that the pole is well-suited to help the Boer oxen haul the trekker’s wagon out of the philatelic weeds so we can get back to the narrative!
THIS IS THE END OF ZAR/TRANSVAAL ESSAYS, BUT THE FMF STAMP PROJECT IS TO BE CONTINUED …

Anecdotes and legends swirl around Paul Kruger, celebrated in his day as “Oom Paul” — Uncle Paul. He was the immovable cornerstone of Boer aspirations late-19th-century southern Africa, the Keeper of the Vow, even as he was reviled as a racist, obstructionist rube. Kruger was born on the eastern edge of the Cape Colony in 1825. His family had lived in south Africa since 1668. The Krugers moved across the Orange River in 1836 as part of the Great Trek. He had little or no formal education outside of the Bible. He grew up fast amid skirmishing Boers, Brits and Bantus. By his teenage years, Kruger was already an accomplished frontiersman, horseman and guerrilla
fighter. In his memoirs he said he shot his first lion at 16, though others say he was 14, or perhaps 11. After breaking a leg in an accident, the story goes, Kruger repaired his wagon and drove it to safety — though one leg was shorter than the other thereafter. He spoke Dutch, basic English and several African languages — and believed all his life that the Earth was flat.
But Kruger’s capacity for leadership, his zeal for autonomy and his unshakable faith set him apart. He caught the eye of Andries Pretorius, the Boer leader who founded the short-lived Republic of Natalia. Biographer Johannes Meintjes observed that Pretorius saw in Kruger a man behind whose “tough exterior was a most insular person with an intellect all the more remarkable for being almost entirely self-developed.” Later on, a discerning Lady Phillips was said to have commented on the president’s comings and goings in Pretoria in his
stained frock coat and tall hat: “I think his character is clearly to be read in his face — strength of character and cunning.”
ZAR/Transvaal in 1878, it didn’t take long for Kruger to begin agitating for new arrangements with the Crown. In 1880 Kruger, Martinhus Pretorius and Joet Joubert were called to confer with the British overlords, and on December 16 the Boer leaders declared renewed independence for the ZAR. Shooting and bloodshed followed, with the Boers prevailing at Laing’s Nek, Ingogo and beyond. Rather than pressing imperial interests, British Prime Minister William Gladstone chose to negotiate, granting the Boers local autonomy and in the London Convention of 1884, full independence under a new president — Paul Kruger.
The British continued to call the region Transvaal, though the stamps issued after 1884 all carried the name “Z.Afr.Republiek,” in line with a postal convention between ZAR, the Orange Free State and Cape Colony. In what looks like a cheeky maneuver, the Boers also took the 4d. stamp from the Queen Victoria series of 1878 and surcharged it “Een Penny” — simultaneously asserting their Afrikaner supremacy and devaluing a British artifact from four pence to one penny. Cute! Other than that, all the new ZAR stamps, as before, had the same design: the Boer coat of arms.
ZAR increased their pressure for full citizenship rights and privileges. Paul Kruger with his plain politics, his biblical certainty and stubborn commitment to Boer supremacy, was ill-suited to the task of guiding his sturdy wagon of state through the economic expansions and upheavals of the century’s end.
bigger than Cape Town. The uitlanders and their British surrogates, including Cecil Rhodes, had been humiliated by the failed Jameson Raid of 1896, and Kruger had a strong ally and protege in his bright young state attorney, Jan Smuts. 






This “stamp,” or Cinderella label, at left is quite a puzzler. (The image is from the Internet.) It pays tribute to Paul Kruger — in Spanish and Latin. (“Glory to Kruger — The Transvaal for the Boers”) The best I can figure is that this was a propaganda label put out around the time of the Second Boer War. A number of settlers from the Transvaal had relocated to Argentina. There they formed a close-knit farming community and outpost that has lasted to this day.



philatelic proclivities, only occasionally sighing or intervening when my spending habits start to deplete the family treasury.

Quarter Century of Stamp Dealing,” by Herman Herst Jr. One copy was a signed first edition, the other a standard hardcover reprint. (I think George
EDITOR’S NOTE: The third stamp-issuing authority in British South and Central-East Africa, in 1869 (after Cape of Good Hope in 1853 and Natal in 1857) was not in British territory. The ZAR — Zuid Afrikaansche Republiek — was into its 14h year as an independent Boer republic. Today there is no map reference to the ZAR, or Transvaal. Much of the high veld territory comprises the province of Gauteng in the Republic of South Africa. The postal history of ZAR/Transvaal is such a rollicking tale that it will take three installments to get it all out …
intothe tribal frontier. “Trans-Vaal,” or Transvaal, is another name for the territory that became a battleground between imperial Britain and the indigenous “tribe” of Boers. When the fighting was over in 1902, the carnage was considerable. The Boer death toll was about 25,000, while the British lost
the sweet life — lekker lewe. The settlers did make for themselves a
1870s.
Among the early trekkers was Paul Kruger. Born in the eastern Cape Colony in 1825, he relocated with his family as a child in 1836.
chauvinism led to all kinds of administrative and political problems through the years, not only in the ZAR, but in the neighboring Orange Free State and in smaller enclaves like Stellaland, Lijdenburg, Utrecht and Goosen (Goshen).

From the beginning, all ZAR stamps bore the same design — the ZAR’s coat of arms, official badge of the Boers. As you can see from the title page of my collection, I don’t have any of the costly first stamps from ZAR/Transvaal. There’s one down toward the bottom of the page — No. 21 — that I took a risk buying. (More about this later.)
The first set, printed in Mecklenburg, Germany, 
sure are curiosity items!
Isn’t this a handsome series? Yes, I’m missing the pricier 1/2d and 2 shilling values, but this late-Victorian set nevertheless resonates with subtle colors in its consistent design; a refreshing change after all those years of coats-of-arms. These
Nowadays, I doubt you will be able to find a stamp in your local post office that has gum on the back that you must lick in order to produce a sticky surface so you can affix the stamp to your envelope. (Did I really have to use all those words to explain how one used to put on a stamp?) Instead, today’s stamps are
A while back I acquired a substantial accumulation of German stamps from my buddy George. They were in three stock books, and more than half of the stamps were “cut squares,” still on their paper backing (see illustration, top).
When it’s time, start picking the backing-free stamps out of the water. But where do you put them to dry? One suggestion is to use paper towels. Place the stamps face-
down, since some residual wet gum could stick to the paper towel, thus defeating your purpose. Don’t let any stamps touch each other or they may
Some collectors prefer special soaking books with porous paper that will dry stamps flat. It strikes me, however, that those books keep out the air, and thus it must take quite a bit longer to dry the stamps than using the en plein air method.


map is not in focus on the web page, but it seems the UK has a red Machin on England and if I am correct a 3d National Productivity stamp from 1962 above it which buries Scotland. Living in Wales, with the Celtic sensitivity that brings, I don’t think I can see an Irish stamp or any recognition that Wales, Scotland and Northern Ireland have their own definitive stamps. Please! This is by no means a criticism, just an observation, and I would be more than pleased (on receipt of postal address) to send you stamps to address this matter. I think Scotland is beyond help, but I can certainly offer you an Irish and Welsh stamp to enhance your wall map. …”








of Paul’s stamps — for Scotland, England, Wales, Ulster, as well as the Channel Islands Guernsey and Jersey, also the Isle of Man. Since things were really getting crowded (crikey!), I substituted a small Irish stamp from my own supply instead of using one of Paul’s offerings. Yes, it’s surely a busy corner of my stamp map today. Anything wrong with that?
Let me just add a word about the charming stamps Paul used on his mailing envelope, which are reproduced here. At right is another Welsh definitive, this one
What were the local overseers or the poobahs in the British colonial office thinking when they decided on the first postage stamps for Natal, in 1857? Designs and values embossed into cream, blue-, pink-, green-, rose- and buff-colored paper? What if you didn’t speak English, or did not read at all? If you could “read” these embossed images in the first place, would you know what to do with them? Did customers have
impressions were
Mecklenburg, Wurtemberg, Hamburg, Hanover, Oldenburg and Thurn&Taxis. Switzerland’s first cantonal stamps and Brazil’s “bulls-eyes” came out in 1843, four years ahead of the United States. The world’s rarest stamp — the sole surviving one cent black-and-magenta from British Guiana — was issued in 1856.
savagely caricatured in the public press (abetted by stationers who saw their market encroached on and threatened by the Post Office letter). India tried a semi-embossed stamp in 1854 and promptly abandoned the practice. The Cape of Good Hope’s triangle stamps, issued between 1853 and 1863, were a novelty few copied. Argentina’s first stamps in 1858 were so crude they looked like children’s drawings.
than actual size). The stamp has a catalog value of $500+, but that is for a copy with 4
smudge of the cancellation. Actually, the margins are unusually large for this variety: just in at the bottom, clear the rest of the way around. Compare the faint embossing on the stamp with the design outline below it, as presented in the Scott catalogue, and see if you can discern these details on the original: 1) as stated, the number THREE PENCE is clear under the postal strike; 2) also visible are the circular border and the letter “A” from
Sets of early Natal stamps carried the elegant (and flattering!) Chalon portrait of the young Queen Victoria.
in 1823. For years he lobbied the Cape Colony and Whitehall to make Natal a colony. After passive resistance from Capetown and London, the Boers took over and established the Natalia Republic, a regime so disorganized and incompetent — and oppressive of the indigenous people — that the British felt obliged to move in. By 1843, the Boers were out. After a final compromise on borders, many Boers trekked to neighboring Orange Free State or Transvaal. Over the years, Natal continued to play a role in regional affairs. In 1897 it annexed the Zululand protectorate, doubling its size. With gold and diamonds to be mined, the region thrived, and Natal’s port of Durban grew into an economic hub. In the 1890s, Natal won the right of “responsible government,” meaning local self-government. In contrast to the Cape Colony, where there was a historic commitment to universal suffrage, in Natal the voting laws were always skewed to exclude most black Africans and Indians. A 1904 census listed
militants left Natal for good. (Unlike the Siege of Mafeking, in the Cape Colony, which was going on at the same time, no stamps were issued from besieged
Mafeking; for that story see December’s blog post, “Mafeking Besieged!”)
Transvaal/Zuikafrikaansche Republiek and the Orange Free State/Orange River Colony were contested
about a year, issued stamps. In the case of Griqualand, the stamps were simply Cape of Good Hope rectangles overprinted “G” in myriad ways. (See illustrations here from my collection). Stamp collectors beware: collecting all 102 Griqualand overprints could get expensive. 




an extremely rare Boer stamp overprinted
primacy by cancelling the stamp y of their enemy with the overprint of their own] side. Who was really in charge here? Did it matter as far as the local black population was concerned? It certainly mattered as far as it resulted in black lives lost during the fighting between the white “tribes” — the Boers and the Brits!
Now take a look at this stamp (right). It is quite extraordinary. The overprint “Mafeking Besieged” on the Cape of Good Hope half-penny stamp identifies the desperate straits faced by the inhabitants of the Cape Colony’s inland city and strategic railway town. Stamps with this Mafeking overprint sell for a premium — I bought this average-quality one for L19.25. Other Mafeking stamps are much more valuable. My example has a somewhat rounded corner, upper left. But really, considering what a rarity it is, I’d expect you to be on my side on this.

Behold! The Cape of Good Hope. Or should we use the name of the Portuguese who first rounded the point in the late 1400s, which they dubbed Cabo da Boa Esperanca? ….
to found Cape Town (about 25 miles north of the cape on the map).
Here is an ancient map of the Cape of Good Hope, during a time when the Dutch and the Afrikaners and the Boers and the English lived as uneasy neighbors with each other — and the Xhosa and the Zulu. No one could have imagined what heartbreak and outrage would result from the transformational European incursion, starting at the Cape of Good Hope and spreading across southern Africa.
Above is my example of the first stamp issued for the Cape of Good Hope: No. 1, on bluish paper. It came out in 1853, just six years after the first U.S. stamp. The somewhat crude but elegant engraving depicts a seated figure — “Hope” — with an anchor as an appropriate nautical emblem. Hope’s image would grace COGH stamps for the rest of the century. The triangular shape must have been a sensation at the time; and imagine! For a British territory at the southern tip of Africa! How exotic. The shape of the stamp itself suggests a geographical cape, don’t you think?
I also got these two (left and below left) from my father. The 4d above, also from 1853,
considerably off-center beat-up image. My Minkus album offers this notation: “Fine lines of background blurred or broken; printing less clear due to wear of plates …” This stamp is valued at $45, but mine is not a particularly well-cut example.
Above are two examples from the first set of the “Hope” rectangles. If you look closely at the outside border of each of these two stamps, you will notice that there is a thin frame line that extends around the entire stamp. This is the only set that would have frame lines around the outside. What explains this change in later issues? Take a look at the stamps below, and you may decide, like me, that it’s probably a wise design decision — to eliminate the frame around the entire stamp; it’s slightly simpler, more coherent and elegant.
Well before the first “Cape of Good Hope” set was issued, the British territory had expanded far beyond the cape itself. The map at left is from the early 1800s, and shows clearly how “civilization” is spreading east and north from the cape.
By the time this map appeared after mid-century, the burgeoning Cape Colony was beginning to look like a map of New Jersey with its intricate territorial divisions.
After 1872, the Cape Colony had the same rights within the British imperial system as Canada and Australia. It still issued stamps with the name “Cape of Good Hope,” but it was about to become the biggest baddest colony in Africa.
Here is a map of Cape Colony at its apex, in 1898. In the 1904 census, the population of the Cape Colony was 2.4 million. That included 1.4 million blacks and almost 580,000 whites. The land mass covered 219,700 square miles — four times the size of the UK — yet the stamps still bore the name, “Cape of Good Hope.” Go figure. (You can still see the COGH sticking out like an inverted thumb-down near Africa’s southwestern tip.)
Before we go any further, let me share what I’ve learned about how well the Cape Colony was governed in its early years. From the start there was lots of restless energy among the motivated groups of Dutch and English settlers, and considerable curiosity among the indigenous Xhosa, Zulu and other Bantu peoples. As the English, Boers and Afrikaners migrated along the coast and into the interior, they confronted each other and the native population with varying degrees of tolerance and respect. The Boers of the Orange Free State and Central African Republic established a racist hierarchy that subjugated the black African populations that surrounded and outnumbered them. The British, too, favored a racist hierarchy in Natal, Transvaal and the Cape Colony.
John Molteno (right) was born in 1814 in London, part of a large English-Italian family of modest means. He shipped out to the Cape Colony as a teenager, working as a library assistant. He rose rapidly through the ranks because of his keen intelligence, outgoing manner and manifest competence. He won support from the Boers early on when he joined them in the Xhosa wars. Unlike the Boers, he espoused a lifelong commitment to equal rights for whites and blacks. When the British pressed for consolidation with the racist Boer republics in southern Africa in 1878, Molteno objected, on the grounds that the Boers would not tolerate the Cape Colony’s universal franchise. He lost his fight, and he was right. Molteno married three times. His first wife was “coloured” and died in childbirth. He went on to have 19 children; among his many descendants were anti-apartheid activists.
Molteno’s two key associates were John X. Merriman and Saul Solomon. Merriman’s extraordinary gift for administration helped build the Cape Colony into the economic engine that would power South Africa. Molteno persuaded Merriman of the importance of equal rights. At the end of the century, as the racist policies of Boer leader Paul Kruger became more dominant, Merriman presciently warned: “The greatest danger to the future lies in the attitude of President Kruger, and his vain hope of building up a state in a narrow, unenlightened minority.”
Above is the last set issued by the Cape Colony, starting in 1902 with the death of Queen Victoria and the start of the relatively short reign of her aging son, Edward VII. There’s nothing special about the set, except that I want to show it off because I have it complete, from the 1/2d to the 5 shilling. You may find the set online for under $20.
To the right is the first stamp of the Union of South Africa in 1910, the same year as the death of Edward VII and the ascent of his son, George V, to the throne. The union comprised the Cape Colony, Orange Free State, Transvaal and Natal (see coats of arms in the corners). As you can see from the map below, the union encompassed the whole of southern Africa with the exception of Swaziland and Basutoland.
In 1961, the Union of South Africa became the Republic of South Africa (RSA). This name change did not alter the repugnant system of apartheid or improve the lives of black South Africans in any significant way. The RSA would not abandon apartheid until the 1990s.
To start off, look at these two dandy examples of the first “rectangle” set (right). Notice the frame going all the way around the outside of each stamp. Do you see it? Do you? Do you? Look hard! See it? (Here’s a helpful note from The New World-Wide Postage Stamp Catalogue: “Worn plates of 1p, 4p show no top or outer frame lines.” I can hardly see them here either.)
Now as a contrast, look at this pair (right). See the frame stop at the upper and lower border of the image? You might or might not be interested to know why one of these 3d stamps cost me $7.75 and the other didn’t. The reason is that the expensive one is listed in the catalogue as No. 25, ‘lilac rose (’80),” while the one on the right is listed as No. 26, “claret (’81)”
This stamp is not distinguished or valuable, but I include it because it is the only mint (uncancelled) variety I have from these Cape of Good Hope sets. I puzzled for some time over what are described as “emblems of the colony.” What at first looks like a wheel is the anchor, of course. That’s a ram standing inside the anchor’s curved heel, right? In the background are grapes, I’ll bet. And Hope is leaning on … well, that took me more time to figure out. Is it a lute or some other stringed instrument? Something to press grapes into wine? Something to poke or slaughter a ram with? Is she holding something, like a mug or flagon? Is she drunk on grape wine?
Here’s one that got away. The image is from online. It’s a half-decent example of No. 5, the 1 shilling yellow green (yellow green?). It catalogues at $175, and is a pretty example. I could have bought it for $35, but I let it slip away. (Sigh …)






built, the port was developed, sanitation and living standards improved. It’s not as though the people had anything to say about it, though. The British overlords deserve at least as much credit as the sultan for any


The sultans and their British masters had been in cahoots for more than a century, lording it over the people. It’s sadly predictable that a month after Zanzibar gained its independence (“uhuru”) in December, 1963, a bloody insurrection overthrew Sultan Jamshid bin Abdullah (pictured at left). The last sultan was able to escape into exile. At this writing, he is 90 years old and living in Portsmouth, England, where he settled with his wife and seven children.
last sultan, Jamshid, didn’t have time to put out an updated definitive set using his own portrait. The
stamp at right is a record of unfolding history — “uhuru” in 1963 and “jamhuri” in 1964. How Is a republic an improvement over a constitutional monarchy? Discuss.




Later in 1965, revolutionary postal officials finally acknowledged Zanzibar’s official merger with Tanzania, though they brashly stuck their islands’ name ahead of the mainland in the ungainly title
At right is a stamp from a short set of 1966, celebrating the second anniversary of the Zanzibar Revolution. Notice the rifle. Notice at the bottom of the stamp is the name “Zanzibar Tanzania.” Is Tanzania implicated in the Zanzibar Revolution, or what? Would the merger have happened without the revolution? Discuss.
**Note:


Here is an example of why stamp collectors get a reputation for being kind of … kooky. Look at this envelope (right). The colored labels are postage-due stamps from 1931, carrying nothing more than the value and the message, “Insufficiently prepaid postage due.” They don’t even say “Zanzibar.’ The cover is selling online for $3,674. OK, it’s rare. But hardly in demand. And they sure aren’t very pretty.
How to summarize the 50-plus years of Zanzibar history after 1964? I’ll just say a few words. The stamp at left shows an inverted “Jamhuri” hand overprint from 1964. Looks like someone acted carelessly, perhaps in haste. You can buy these inverts online for $10 and up. The errors seem fitting, considering the upside-down story
