Welcome to my stamp collection. Here is the bulk of it, in these two lower shelves of a small bookcase in my study. The top shelf is reserved for catalogs. These books contain detailed listings of all the stamps and varieties I collect, along with their estimated value at the time. I use catalogs dating back to the 1970s for classification purposes. For the old stamps I collect, they are just as reliable as the latest edition when it comes to illustration, number, description, watermark, notes and so on. To gauge the current value of stamps, it’s easy enough to go online and find out h
ow much a particular stamp is selling for at the moment.
The middle shelf holds my major albums. You can tell the British and British Colony stamps by the distinctive Union Jack displayed at the top of the spines, left to right: British Africa (black dustcover), British America (blue dustcover) and British
Europe (red dust cover, or should I say, magenta?). One reason why I don’t store these albums next to each other is that the thinner albums immediately to the right of each one contain newer stamps (1960s on) from each area of the world, including the last colonial stamps as well as post-independence issues.
At the far left is my Congo album (blue spine), with a nearly complete collection of stamps dating back to the 1880s. Then come two more albums of African stamps — French colonies, Liberia, newer stamps from Congo, Rwanda and Burundi. In the middle of the shelf are my two American albums (brown spine, green spine); further to the right, after British Europe and modern British Europe, are general European stamps.
The lower shelf is a diverse lot: Germany, French West Africa (pre- and post-independence), miscellaneous stock books and files holding stamp sheets, miniature sheets and other multiples, as well as several books featuring stamps on covers from the USA and around the world.
Among this last group are “first day c
overs” like this one, with stamps placed on specially engraved envelopes and cancelled on the first day of issue. These covers were supposed to become collector’s items, but it hasn’t turned out that way, to the chagrin of first-day cover enthusiasts. Today FDCs are a glut on the market …
These albums contain e
nvelopes sent through the mail before the advent of U.S. postage stamps in 1847 — for example, this one bearing a postmark of 1844 (see date in small type at left); another is from 1840. There are some envelopes with early American stamps, others with Confederate stamps from the 1860s (see below). They may be worth something, but probably not much. …
Another type of cover is the specially cancelled “first flight” envelope bearing an early airmail stamp. For example, this envelope was carried on the first stamped-mail flight from Miami (and Virgin Isla
nds?) to New York City on Jan. 9, 1929. Some “first flight” covers are valuable. And romantic! The rarest cover in my collection is one addressed to my Uncle Reddy, in Needham, Mass. (see below). It bears the 24-cent “Jenny” airmail stamp, cancelled with the message: “Air Mail Service; New York; Jun 3, 1918; First Trip.” A rubber stamp in the lower left corner of the envelope announces: “VIA Aeroplane Mail.” Quaint! While the envelope isn’t in particularly good shape, a similar cover was offered on eBay recently — for $250!
You do know the difference between a stamp album and a stock book, don’t you? Do I have to explain everything? Oh, all right. Take my American collection, which starts with a binder full of pages offering spaces for every major variety of U.S. stamp … from the first two in 1847 — the Benjamin Franklin 5-cent and the George Washington 10 cent — until the pages run out in the 1960s. Beyond that date — now more than a half-century ago! — I have relied on stock book pages to hold my U.S. stamps. A typical stock book page has up to 10 plastic or parchment strips arrayed in parallel rows, Each strip is attached to the page at the sides and across the bottom, thus creating a secure holder for up to a half-dozen stamps inserted (using stamp tongs, of course!) across the width of the strip. Space out the stamps in your own design, or bunch them up for bulk or “stock” storage (hence the name “stock” book). I have numerous small stock books loaded with duplicate stamps, many of them cancelled. You must take care when the stamps are uncancelled, or “mint.” Allow humidity into a room where mint stamps are stored on top of each other in stock books, and you could have a real sticky problem!
I would be hard-pressed to assign a total value to my current collection, though it is surely in the thousands. For one thing, the value keeps rising (I hope). Some rarities and nicer items in my collection, including U.S. stamps I bought at my local post office, have increased five- to tenfold over what I paid for them. I spend hundreds of dollars on stamps each year (wife Chris has been known to roll her eyes and sigh when she sees the billings). I keep notes of how much I spend on dearer stamps ($2 apiece and up). The most I have spent yet f
or a stamp is $105, a princely sum which I paid in 2013 for Natal No. 1, 3 pence, rose, 1857 (pictured here, larger than actual size). The stamp has a catalog value over $500, but that is for a copy with four clear margins, whereas my copy has only three. I have no certificate of authenticity, and there are known to be reprints with bogus cancellations. Nevertheless, I am fairly certain this is the real deal. Now, if you’re just skimming over the album page, you might be tempted to dismiss this rarity. It looks like a smudged square of colored paper with some bumps on it. Look more closely, though, and you will see a clear impression saying “THREE PENCE,” much of it picked up by the bla
ck ink of the cancellation. Actually, the margins are unusually large for this variety: just in at the bottom, clear the rest of the way around. Compare the faint embossing on the stamp with the actual design outline, at right, as presented in the Scott stamp catalogue, and you may be able to discern details on the original:: 1) as stated, the number is clear under the postal strike; 2) also visible are the circular border and the letter “A” from Natal at top; 3) “V” is visible at left, and a faint “R” at right. Can you see it? Now think of this odd stamp, embossed more than 150 years ago, placed on an envelope in the new south African colony of Natal for the outgoing mail. Now That stamp is in my collection. As you might suspect, I have examined this stamp in great detail, and confess to be being hypnotized in looking at it — something about the fleshy color, the tattoo-like embossing, the nearly hidden letters and symbols, then imagining this artifact making its way from that African postal outpost back in 1857 … philately just boggles the mind!
The other rarity I’ll share wi
th you now (more will be presented in future chapters) is the Penny Black from Great Britain. This is the First Stamp, issued in 1840, bearing the engraved profile of Queen Victoria. It was produced by Sir Rowland Hill. This stamp cost me $70 in 1991. The Penny Black is not exceedingly rare, but very old. Mint copies (uncancelled) are expensive. But used examples with nice cancellations and four margins — that is, where you can see white all the way around the design — can bring hundreds. Mine has four margins, or so I claim. You may need a magnifying glass to discern the thin sliver of white that continues around the lower left of the stamp — but I maintain it is there! Thus I believe my stamp should be worth at least — $70!
Because Britain was the world’s first and only stamp-issuing nation in 1840, Sir Rowland was able to omit the name of his country from the Penny Black — an insouciant act of noblesse non-oblige. After all, there weren’t any stamps from any other country, so wasn’t it obvious? Because of this anomaly — or is it right of primacy? — Great Britain con
tinued to issue its stamps without a national designation, and continues the practice to this day, the only nation to do so. British postage stamps always include a likeness of the reigning monarch. But none of them says “Great Britain,” or “United Kingdom.” Indeed, when the component parts of the UK started issuing their own stamps in 1958 — in Wales and Monmouthshire, Scotland and Northern Ireland — they bore only a portrait of Elizabeth
II and regional symbols; no names. Way back in the 1840s and 1850s, when other nations began issuing their own stamps, they had to include their names to distinguish themselves from each other — and from the Nameless One. One exception was Brazil, whose anonymous “bulls-eye” stamps came out in 1843. By the 1860s, however, that nation, too, had fallen in line and added “Brasil” to its stamps. The first two American postage stamps, issued in 1847 — the 5-cent Ben Franklin and the 10-cent George Washington — are inscribed “U” and “S” in the upper corners, and “Post Office” in between. Today’s “forever” st
amps still include “USA,” while Great Britain’s regular issues include nothing but a value and an iconic portrait of Elizabeth II.
That portrait, by the way, is based on a
n elegantly sculpted profile of the queen, the work of Sir Arnold Machin. The first set of Machin definitives was released in 1967. Machin definitives have continued to appear across a half-century, and the portrait of Queen Elizabeth II is the most familiar image in philatelic history.
Some day I or my designated agent will be able to add up all the price tags on the beauties I acquired over the years and arrive at a pretty good estimate of the value of my investment. My fervent hope and belief is that philately will survive and thrive as a pleasurable hobby for collectors and connoisseurs, and that my stamps will continue to grow in actual value, so that one day they can be a great gift to my heirs … Meanwhile, please come along on this meandering journey through the pages of my collection — the stamps and the stories they tell …


(often from foreign lands), and because they are a little bit pregnant — there is a pleasing heft and lift to the envelopes, a promise of what lies within. Altogether a fairly low-key pleasure, but a pleasure nonetheless. In the the second photo, one envelope is open and the stamps have been removed for a first look (using stamp tongs, of course). It’s always at least a small thrill. Soon enough, the stamps will be safely mounted in their places on the pages of thick stamp albums, and they will take their places in sets from countries around the world — most of which no longer exist. For now, the stamps are out, on the table, colorful
artifacts sometimes well over 100 years old. The stamps have survived all these years. Some are a little faded, others have retained their intense colors, appearing fresh in their third century. This is a time to lift the stamps (in tongs of course), turn them over, examine their backs, look for thins or creases, double-check watermarks. (What are watermarks? Be patient, we’ll get to that.)
examination and appreciation. (Of course, while you are doing all this, you are also living your life. Please don’t think stamp-collecting is an all-consuming habit. After all, FDR was an active stamp collector all his adult life, and he still had time for other things …)
stated value for mailing purposes. So the senders combine stamps that add up to the going rate — 49 cents in the USA in 2015 (later reduced to 47 cents, a change made even more confusing by the “forever” non-numerical value) — and load up the envelope with the old beauties. Seeing such colorful mail makes the whole thing more fun. I wonder if the letter carrier even gets a tiny kick out of delivering these substantive letter-packets decorated with such philatelic richness.
While the U.S. Postal Service no longer issues stamps with denominations for first-class mail (i.e., now you just use “forever” stamps), if you ask at your post office, you will find there are still many different tamps for sale, from 1 cent to $10 and beyond. You just have to ask. The highest-value stamps are for heavier mail, priority mail, express mail and the like. The denominations have progressed upward in recent years — $13.65, $14, $16.50, $18.30 … In 2013, the USPS issued a stamp selling for $19.95 that depicted a
bustling Grand Central Station in New York City; in 2014 came a $19.99 stamp picturing the USS Arizona Memorial. What? You’ve never seen these stamps before? Here is a picture of some of them. They all have been available at one time or another for purchase at most post offices — for face value (i.e., the prince on the stamp). Some of the older stamps that have gone out of circulation, that is, no longer are sold by the post office, have increased in value to collectors. If high-value stamps are a good investment, you’d think some residual value would attach to cancelled examples. And you’d be right. The first Express Mail stamp, issued in 1983 with a price tag of $9.35, sells today for about $40 in mint (uncancelled) condition. But cancelled copies are valuable, too, priced at about $35. The $11.75 Express Mail stamp from the space shuttle series in 1998 sells today for about $30 mint, $19.95 cancelled, or “used.” These are reasons I make a point of collecting used as well as unused copies of these high-value stamps — and ask friends and family to use them so I can collect them right off the packages. To me, the mint and used copies are both worth collecting. And who knows? Some day, these rarely used stamps may be more valuable cancelled than mint!
n a trip to the post office in downtown Moscow. It seemed to me the postal clerks saw her coming and either eyed the exit, rolled their eyes, smiled sympathetically, groaned inwardly, or issued a good-natured sigh. Probably some combination of all of these. It wasn’t always convenient for them to go hunting for high-value stamps. There might be a few other customers waiting in line, also sighing, rolling their eyes, etc. Tolerance for philatelic game-playing is not wide or deep. But Mother generally persevered, alwa
ys with a kind word and good will. More often than not she prevailed, and the resulting packages had enduring value — not just for the contents, but because of the collectible stamps pasted on them. For example, Mother sent me the $13.65 Express Mail stamp from the monuments series in 2002-3 that you see here. The cancelled copy is catalog-priced at around $9. And to think the stamp already did its duty, carrying Mother’s precious package to me … Now that my old mother is no longer around to run this little philatelic gambit, I have not yet figured out how to get used copies of those $19.95 and $19.99 stamps into my collection through legitimate use of the postal system. I shall keep trying, mercilessly cajoling other loved ones into playing stamps with me …
ge and stick the stamp in its space in the album. The hinges are peelable, and will not harm the stamp. For mint (uncancelled) stamps, whose gum needs to be protected, readying the stamp for safe display requires special mounts. Using stamp tongs, insert the stamp in a 10-inch-long protective sleeve — the black strips come in numerous widths to accommodate all sizes of stamps. A 22-strip pack costs less than $10 and can accommodate up 100 stamps. Use a razor cutter to lop off the inserted stamp from the rest of the strip. (But be careful not to nick the stamp, including the perforations!). For this cutting operation, I use a little kit I picked up as a lad in Germany …oh, just about 55 years ago. Amazing, how it’s lasted. We stamp collectors do venerate aged things, after all. On the other hand, how can a durable plastic razor holder and a see-through glass ruler wear out? In cutting, I position the stamp on a piece of cardboard, so I don’t mar my desk top or make an uneven cut. I keep a container of recycled pieces of cardboard nearby for this express purpose. I don’t use pieces of cardboard more than once. Cutting through the strip on top of another cut mark in the cardboard could result in an uneven cut. Even if I am only making one cut for one stamp, I still discard the whole piece of cardboard afterwards. Call it wasteful. Call it extravagance. I prefer to think of it as an infinitesimal act of gay abandon. (The cardboard eventually goes out with the recycling anyway.) Now you are ready to moisten a small part of the back of the black mount — careful not to stick your tongue inside, wet the precious gum and ruin the stamp! — and paste the mounted, protected stamp in its designated spot. Aaah! This is what it’s all about — putting stamps in spaces, seeing sets materialize in all their glorious order and color and design …














stamps (see photo, top right). But there seems to be a design error: The president’s right hand holds a magnifying glass and is just fine; however, he clasps a stamp in a left hand that contains five fingers — and a thumb! (You’d think this stamp would be valuable, but you can buy it for a quarter.) One further note on this bit of arcana — the photograph the engraver used actually does seem to show “six finger
s,” though closer perusal reveals the extra “pinkie” as distorted image of FDR’s shirt cuff. It must be!
, James A. Farley (seen here in a very flattering formal oil portrait), was an old friend and mentor in
the sheets, and
How to collect these items? None of the stamps are particularly valuable by themselves. (The original national parks set of 10 sells online for well under $10.) Should you try and get a full sheet, unperforated and ungummed, as an unusual but somewhat spurious collector’s item? What about all the other souvenir sheets, vertical and horizontal “gutter pairs,” “arrow” blocks of six and other Farley shenanigans? Cut out from their sheets or other special settings, aren’t the stamps the same? And get a load of this odd note, from the fine print of my Scott catalogue: “In 1940, the P.O. Department offered to and did gum full sheets of Nos. 754 to 771 sent in by owners” — thus creating new philatelic varieties, it would seem.
to erase the stereotype of the geeky stamp collector, dusty, bespectacled, aging, beetling about his business (like me). I have little confidence left in the tradition of fathers passing along their interest in stamps to sons — as my father somehow did with me. As far as I can tell, my older brother Jonathan and I are the only ones in my extended, intergenerational family circle who give a hoot about stamps. Too bad, because stamps are worth paying attention to.

shot of
Britain’s Queen Elizabeth was a real enabler of Sarkozy, handing him one philatelic trophy after another. To be sure, she had plenty to give — the queen was heir to a stunning collection begun by her grandfather, and expanded by her father.
George V’s original collection filled 328 60-page red albums; his son George VI’s albums are blue; Elizabeth’s are green. It seems George V got started long before he became king, aided by Prince Alfred, his uncle and Duke of Edinburgh. The king’s philatelic ambitions soared. He once wrote an adviser, “I wish to have the best & not one of the best collections in England.” He certainly tried to achieve his goal. In addition to accumulating special items by dint of his royal access, the king made astute purchases, acquiring such rarities as the Post Office Mauritius and the Great Britain Two Pence Tyrian Plum. (Don’t you just love the name of that color?)
raightforward monarch, quite popular during his reign and well-suited to his times — though it’s hard to see how collecting all those stamps bearing his profile could not have swelled his royal head. He is credited with helping to revive a hobby that had grown a bit moribund. (Where is the next George when we need him?!) A popular story has one of his retainers reporting that “Some damned fool had paid as much as L1,400 (about $3,600) for one stamp,” and the king mildly replying, “Yes, I was that damned fool.” His investment paid off: The rarity in question later sold at auction for $3.9 million.
** In addition to collecting stamps, little Freddy began a daily diary in Dacca, when he was eight, and kept it up until high school and sporadically, beyond. When I get around to reviewing its generally hum-drum contents in coming years, no doubt I will find specifics about the years-long set-to with the Kenmore Stamp Company. Accordingly, I shall endeavor to keep this record updated with my findings.
ar newspaper career in 2013. He has degrees from Harvard and Columbia, and was president of the National Conference of Editorial Writers in 2001. He lives in retirement near Syracuse, NY.